Thursday, December 21, 2006
And because I can't bring myself to post a blog without any photographs, here is a painting that was completed this year.
Saturday, December 16, 2006
There are a few more things that are needed before the painting is signed. The cookbook needs a few correcting strokes as some of the angles are a little off. And some decisions need to be made for the background. There's much empty space in the top half, and something needs to be done there, but what, I am not quite sure. I will probably go to some large brushwork, there. Here's where a painting can be made stronger or weaker - in the last wrapping up session.
I do like the lower left corner, and how the towel seems to emerge from the background - something happening, yet not too distracting. I hope to create that same effect for the rest of the background.
Thursday, December 14, 2006
Monday, December 11, 2006
It's amazing what a few hours of concentration and about 50-70 correctly placed shapes of accurate value and temperature will do. I realize that was probably a few terms you may not be familiar with if you're not an artist. So, let me explain a little to you as I continue my painting. I may have to split this little lesson up in a few posts, so let's tackle phrase #1 for today.
"Correctly Placed Shapes": It may sound really strange to you, but if you want to paint accurately, one must forget pretty much what is being painted. For instance, when I was painting the apples, I had to fight the urge to think "stem, top of the apple, bruise on the apple. . .etc. " Because when I do that, I'm pulling on the left side of my brain that has records of images of what an apple should look like. I can draw an apple from memory, but it can't possibly match the one I'm looking at.
When I paint, I'm literally thinking, " bright red skinny shape, right next to a wider, yet shorter shape that is a tad bluer than the first red skinny shape." I have to look at the colors and compare them to the color next to it. It's a mind bender sometimes. Somedays I'm right there in the "zone" as I like to call it, but other days I'm not concentrating and it pretty much falls apart before my eyes.
I'll explain Temperatures and Values to you at a later date. I hope you enjoyed your mini art lesson!
Come back soon - I'll be giving you a better look at my studio.
As promised, here is a better and slightly updated photograph. The sun went behind the trees very fast today as our days are getting shorter and shorter. Currently I have direct sunlight through my studio from noon until around 3pm.
Saturday, December 09, 2006
One thing I would like you to keep in mind as you view the setup and undoubtedly compare it with the painting, (it's hard to fight that urge myself) remember that I am painting, not taking a photograph. I am allowed to make changes in value, temperature and edges. If we weren't then all paintings any artist painted would be the same in style, and they might as well be photographs. So, as a painter, I simplify color changes, edges and subjects,. .etc. to make the painting the best it can be, my goal is not to record everything that is there. With that said, proceed and enjoy.
My most daunting task was to simulate the backsplash to create a little more authenticity. Here you can see the cover to our radiator turned upside down with a piece of cardboard (the backing to one of my old sketchpads) propped up to look like the back wall. You can't see it, but there is a hole in the flour bag (of course I didn't notice until I came home with it). The old Betty Crocker Cookbook was my Mamaw's, and the kitchen towel, bowl, measuring cups and spoons were all wedding gifts. Notice the lovely Dell box underneath the "kitchen counter". Only the best in my studio.
In the time between my first and second painting sessions, some of the props such as the measuring cups and spoons were temporarily taken from the setup because they were needed in the real kitchen so we could eat.
My first painting session yielded only incorrectly sketched items. So after a faulty beginning I studied the still life as I passed by the room on my way to something more urgent and envisioned the painting completed in my mind as I worked on other things. (Pretty cool - I can do art while I vacuum.) I could see the style I was going for. Loose, simple, effective, yet warm, reflecting the enjoyment I find in cooking. For some reason I could see the apples completed in my mind the clearest, so the decision was made that the apples would be my point of origin, and if done correctly, they would set the tone for the rest of the painting.
I am pleased with today's progress, and am able to envision more of the painting completed. The sun was going down, so my opportunity for a good photograph was gone before I realized it. This explains the low color quality. The photograph is a little skewed because the wet paint would have created lots of glare if it were taken straight on.
Better and more complete pictures coming soon. If the sun chooses to shine tomorrow I will be painting, again. Keep checking.
Tuesday, November 21, 2006
Monday, November 06, 2006
It was a decent study and a good practice for me.
After parking, with camera in hand, I took my ritual walk about to assess the landscape and decide the best location for the painting. After narrowing down the spot, I returned to the car for the necessities.
Apparently the rain from last week was a little overwhelming for the soil as much of the area where I wanted to set up resembled a swamp. I found a slushy island to set up camp where my bag,( poor bag, there was nowhere else for it to go than on the ground), became soaked through on the bottom - along with my camera and business cards. No harm done, though.
During one of my breaks, I took a few photographs.
This will definitely be a park that I will want to come back to in the springtime.
There is great potential for a beautiful spot in the spring. I love the character that is revealed in trees when the modesty of the leaves are gone. Such intricacy.
The sun passes through the leaves as though they are stained glass. The Master Artisan created living stained glass. Something we humans can only attempt to imitate.